Preserving Female Agency in the Gaze: An Analysis of The Silence of the Lambs

Abstract

Laura Mulvey’s essay, “Visual Pleasure and Narrative Cinema,” published in 1975, has become a foundational text in cinema and feminist criticism. Mulvey introduces the concept of the “male gaze,” arguing that traditional Hollywood cinema is constructed from a patriarchal perspective that objectifies women. This camera gaze influences the portrayal of female characters and affects how audiences engage with narratives. Mulvey employs concepts from psychoanalysis, particularly from Freud and Lacan, to explain how films generate visual pleasure through identification and desire. She discusses how viewers, especially male viewers, derive pleasure from the visual representation of women, reinforcing patriarchal structures within narrative cinema.