The Affective Turn in the Cinematic Lens of Ann Hui: A Case Study of Love After Love

Abstract

Ann Hui, a prominent Hong Kong female director, is renowned for her distinctive auteur style, primarily focusing on realist themes. Her creations often stem from a unique feminine perspective, showcasing her profound understanding and contemplation of society. Hui’s work is characterized by her delicate portrayal of characters from the lower echelons of society, delving deeply into ethical issues of human nature, and providing a reflective and insightful view of real-world social conditions. The emotional expressions in Hui’s films resonate deeply with audiences, fostering a strong sense of empathy. By integrating multiple paths from diverse fields, this article mainly explores Hui’s film Love After Love through the lenses of psychoanalysis, feminism, and sociology, aiming to reinterpret the emotional expression, bodily experiences, and the reflection and impact of socio-cultural phenomena in Ann Hui’s films.